The same spot, the same ugly faces behind the deck, and the same eclectic mix of old, new and unreleased tunes.
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Scissorkick.com was born within the second wave of music blogs in the late 1990s and is guided by a soundtrack to one mode of contemporary living here in NYC. It is proudly genre-agnostic and on a continuous search for new independent rock and electronic music.
Alright, so it’s taken a while to get back to reality, and although I said I’d post about the Touch & Go 25th Anniversary all week, I think I will condense it to 3 days, since the event itself was held over 3 unforgettable days.
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A couple of quick posts today and tomorrow before I begin with the Touch & Go posts for next week. First off, a new track from the forthcoming Days to Come LP from Ninja Tune artist Bonobo who continually produces the finest downtempo there is. You know, I sort of hate to say downtempo too, but there isn’t a more specific word to describe the…
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I am currently still in Chicago until Wednesday and am probably too giddy over what transpired over the last 3 days to objectively report on The Touch & Go Records 25th Anniversary Party that just went down.
Not sure what’s up with the overuse of exclamation points (Thunderbirds Are Now! are also guilty) but that’s beside the point. Because Tampa’s Auto!Automatic!! are pretty! fucking! solid!! Long time readers are well aware that Scissorkick is a sucker for tight instrumental chops and this power trio deliver — channeling the old school (read Don Caballero, Breadwinner) through the new school (think Volta do Mar,…
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I’m not sure what prompted me to pick up Swervedriver’s classic Raise back in high school, but ever since then I’ve had a real soft spot for swirling, shoegazing guitar rock. Add some solid melodic direction underneath the wall of sound and you end up with some of the all time classics — Daydream Nation, Loveless and Souvlaki for starters. While Philadephia’s Relay are not…
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Someone once asked me what constituted a “summer jam” and my answer was simple: If you think Sinbad would be into it at Reggae Sunsplash. But since then, I’ve never really longed to be a West Coast beach dude, but the former Bones Brigader and California-based guitarist makes the kind of optimistic, unpretensious and sun-baked soul that can lead to relocation. I mean, the Dodgers…
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I first posted The Changes way back on November, 17 2004 and I cannot believe that it’s creeping up on two years since I first heard “When I Wake, “ a near perfect pop song that still hasn’t lost its luster. Well, good things come to those who wait, and on September 26th, I highly recommend you rush out and get a copy of “Today…
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When I first heard Zero 7’s now-classic EP 2 in March, 2000, little did I know that nearly 6 months later, after the terrorist attacks of 9/11, that I’d revisit the record with much more necessity, using it to buffer a lot of what was happening in the world around Brooklyn. The mood was as you could expect it then — tense, frightening, nervous, melancholy…
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There’s no doubt that we are currently riding a rock resurgence. It happened in the mid 90s, and it’s happening again a decade later. And while I’m as excited as anyone, don’t forget that there is still quality sample-based beat magic being birthed all over the globe. For instance, you have Vancouver’s No Luck Club, an instrumental hip-hop trio from Vancouver who merge the dexterity…
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Considering the recent tragedy in New Orleans, it comes as little surprise that Louisiana transplants Home Video would release a record painted in lingering melancholy. Blurring the lines between electronic and rock music is certainly nothing new but too often the success of this combination is measured by the inability to separate its increasingly disparate parts. But Home Video’s Collin Ruffino and David Gross seem…
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