I actually haven’t heard the original yet, but it’s always exciting when a Four Tet remix actually hits the mark and this one surely does.
Today’s post is from California’s Samuel Milton Grawe aka Hatchback. But don’t let the literary name throw you off.
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… Other maverick online music models have resulted since (like NIN’s free record), but few have the charm of the recent 4AD release from David Edwards, aka Minotaur Shock.
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Like SK favorites Jesu, these dudes ply their trade with a potent formula of sound-drenched melody, but unlike them, they have no problem shifting speeds and alternating degrees of accessibility.
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He DJs as Egg Foo Young here in the city, has done production work for Bonde Do Role and — most importantly — is one of the first artists I can think of who has included written explanations of his instrumental song titles in the CD.
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So imagine my surprise — thinking Red Snapper had gone the way of so many bands before them — when a brand new record shows up in my mailbox from Red Snapper. The original Red Snapper.
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And right on the heels of their shit-hot single “Hold On,”it’s an absolute must if you are fan of the sound — think In Flagranti, Lindstrom, Shit Robot, Still Going, etc.
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Few things are as exciting as a really top-notch, unsolicited, new-to-the-world remix. It wouldn’t be sensible of me to reveal my sources, but scissorkick has recently come across a truly stellar remix of Roots Manuva’s “Again and Again” by Arctic Monkeys’ drummer Matt Helders.
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Stone’s Throw often relishes in mixing the new with the old but few of the venerable label’s artists sum it up as well as Koushik, the eponymous moniker of Koushik Ghosh.
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Look no further than today’s post, a truly awesome cover of Bill Conti’s classic “Going the Distance” from… well, after one listen, you should know. And if not, follow it up with James Brown’s “Living in America.”
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I try not to make a lot of bold predictions on SK. I am but one man with unpredictable, selfish and often misguided taste. Truth is, far too many people spend their days trying to forecast the next big trend in music. I’ll leave XLR8R to coin the next sub-genre and predict music’s next great champion (often incorrectly). However, in my very small world, it…