Scissorkick.com was born within the second wave of music blogs in the late 1990s and is guided by a soundtrack to one mode of contemporary living here in NYC. It is proudly genre-agnostic and on a continuous search for new independent rock and electronic music.
I can’t say that I’ve been a huge fan of the “acoustic pop/folk” thing as it always seems to remind me of the James Blunt/John Meyer frenzy over the last decade or so. Of course, we can go way before that for generations of solid folk music, but often, when that lone troubadour is paired up with a backing band, the result comes perilously close…
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Last Wednesday, at Webster Hall, The Cinematic Orchestra added to their reputation as consummate performers with another flawless set of new and old tunes, expertly executed and passionately played.
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Big week of new music in store. Advanced apologies as the job has gotten the best of me over the last few weeks. But in that time I’ve received a superfluity of sickness, some truly unreal gems, with the biggest, baddest and most exciting the newest record from The Cinematic Orchestra, Ma Fleur, which is scheduled to land stateside over the summer. Longtime readers know…
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