Scissorkick.com was born within the second wave of music blogs in the late 1990s and is guided by a soundtrack to one mode of contemporary living here in NYC. It is proudly genre-agnostic and on a continuous search for new independent rock and electronic music.
Lucky for you, the first Scissorkast in too long is an all-music/no-talking affair. (I need an XLR adapter for my microphone). 100% new music, much of it unreleased, hitting the usual mix of instrumental electronic, emotive headphone post-rock, experimental dancefloor stuff and the like. Joyously looping, meticulously crafted sounds. Stuff from the US, UK, and Japan this time with a heavy emphasis on melody.
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When you run a blog as long as I have, you end up stuck in database hell. Interns adding contact emails from the Hype Machine top 100 eventually land on scissorkick, and after nearly 10 years my inbox is cluttered by PR from labels and bands that have probably never downloaded or read about a single track I’ve posted. But it’s cool. I’d probably do…
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Jeff sent this EP over and said he was “90% sure” I’d be into it. Fuck, I must be hard to please or something because this is so squarely in my wheel house I can’t imagine why he thought 10% of me wouldn’t be feeling this. American Men are a group of Scotsmen doing instrumental, futurist rock their own way (god I’m watching too much…
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The world’s greatest (and only) Norwegian 9-piece electro-afro-prog-whatever rockestra* has re-emerged from their lair with a new batch of indescribably brilliant songs for confused music fans worldwide. By “confused” I mean “awesome + eclectic.” I’d imagine that their lair is pretty sickly designed Scandinavian, with wood tones and tempered steel and smart Feng Shui and all that type of enviable Nordic shit. Sort of like…
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“Dwrcan” opens with a modest, sad-elephant shuffle bass & break then takes a turn toward a nice half-time glitch groove.
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A.M. Architect is another project from Diego Chavez (Aether), together with Daniel Stanush, building on a foundation of guitar and keys over smartly produced beats.
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New EP from Brooklyn’s Home Video just dropped and while I will readily admit the Radhiohead comparisons are warranted, I still think the band is one of NYC’s most underrated.
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The Thrush sounds like a mixtape made by the dude down the hall with the ill Krautrock collection who’s dating a dancer into Afrobeat and old UK downtempo.
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Few, if any, current producer/musicians out there manage to be as dense and melodically satisfying as Max Tundra, unapologetically birthing electronic pop so saccharine that it reminds of you of your mom’s favorite 90s tracks from Lisa Stansfield and Desiree.
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Sometimes, I feel old. Not that I’m on a diet of Metamucil and suffering from arthritic joints (yet), but if you are passionate about music, you often gauge your age not by the increasing amount of gray hairs but by the scratches on the records you’ve been playing for years. German trio To Rococo Rot were part of the first wave of electronic post-rock I…
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